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艺术家张骏|名可名系列Nameless series #2

2024-08-26 12:31:26       来源:今日热点网

道可道,

非常道;

名可名,

非常名。

—老子《道德经》

The Dao that can be spoken is not the eternal Dao;

the name that can be named is not the eternal name."

-Laozi"Tao Te Ching"

在一个展览中,我经常停留在某一件或几件作品上,很久,不断揣测艺术家在绘制过程中的思考。我想设身处地的站在艺术家的角度上去感受它。

In an exhibition, I often stood on one or a few art works for a long time, constantly speculating about the artist's thoughts in the process of painting. I try to put myself in the artist's shoes and experience it.

「名可名」

“Nameless”

No.603

张骏—名可名系列之No.603

尺寸:95cm*250cm*三幅

材料:综合材料

Zhangjun -Nameless Series-No.603

Size:95cm*250cm*three

Material:Comprehensive material

相对这个思考过程,我又更享受自己在绘画中的另外一种状态,它是无思考的,不加思索的绘制运动,它是拉开其它时空大门的引力,把我从一个时空吸入到另外一个时空,此时创作中的我仿佛开启了第三人称视角。

Compared with the process of thinking, I enjoy another state of mind more, which is the thoughtless drawing movement. It is the gravitational force that opens the door to other time and spaces, drove me from one time and space to another. And at this point of time I seem to open a third-person perspective in my creation.

名可名系列之No.603局部细节

Partial details of the Nameless Series-NO.603

摄于名可名系列No.603作品创作中

The photo was taken during the creation of Nameless series No.603

「名可名」

“Nameless”

No.717

张骏—名可名系列No.717

尺寸:直径120cm

材料:综合材料

Zhangjun-Nameless series No.717

Size:120cm in diameter

Material:Comprehensive material

我出行绝大多数是自己开车到处跑来跑去,但即便开着导航,我也时常走错路。在不赶时间的时候,也会主动关掉导航,去瞎看瞎走吧。从始发地到目的地,沿途的风景对我而言更有意思一些,即便它们有时看起来并不是那么美。 I often driving around alone, but even when I drive with the navigation, I often take the wrong road. When i'm not in a hurry, I turn off the navigation and go wandering around. From the engine start to the arrival, the scenery along the way is a little more interesting to me, even if they don't look so beautiful at times.

名可名系列之No.717局部细节

Partial details of the Nameless Series-No.717

要不是因为时常走错路,我也不会发现很多不一样的沿途,或人或事或美景,这像极了我的创作状态。 If it weren't for the fact that I often take the wrong path, I wouldn't have found a lot of different people or things or beautiful scenery along the way, which is very similar to my state of my when i paint.

「名可名」

“Nameless”

No.730

张骏—名可名系列No.730

尺寸:直径120cm

材料:综合材料

Zhangjun-Nameless series No.730

Size:120cm in diameter

Material:Comprehensive material

名可名系列之No.730局部细节

Partial details of the Nameless Series-No.717

创作名可名系列就像列车,从始发地开向一个没有目的地的目的地,我也尽可能的记录每一个让我觉得值得的过程。

Creating "The Nameless Series" is like a train, from the beginning to a destination without a certain destination, and I try to record every process that makes me feel worthwhile.

艺术家张骏

Artist ZhangJun

免责声明:市场有风险,选择需谨慎!此文仅供参考,不作买卖依据。

关键词:

责任编辑:kj005

商业快讯

艺术家张骏|名可名系列Nameless series #2

2024-08-26 12:31:26   今日热点网

道可道,

非常道;

名可名,

非常名。

—老子《道德经》

The Dao that can be spoken is not the eternal Dao;

the name that can be named is not the eternal name."

-Laozi"Tao Te Ching"

在一个展览中,我经常停留在某一件或几件作品上,很久,不断揣测艺术家在绘制过程中的思考。我想设身处地的站在艺术家的角度上去感受它。

In an exhibition, I often stood on one or a few art works for a long time, constantly speculating about the artist's thoughts in the process of painting. I try to put myself in the artist's shoes and experience it.

「名可名」

“Nameless”

No.603

张骏—名可名系列之No.603

尺寸:95cm*250cm*三幅

材料:综合材料

Zhangjun -Nameless Series-No.603

Size:95cm*250cm*three

Material:Comprehensive material

相对这个思考过程,我又更享受自己在绘画中的另外一种状态,它是无思考的,不加思索的绘制运动,它是拉开其它时空大门的引力,把我从一个时空吸入到另外一个时空,此时创作中的我仿佛开启了第三人称视角。

Compared with the process of thinking, I enjoy another state of mind more, which is the thoughtless drawing movement. It is the gravitational force that opens the door to other time and spaces, drove me from one time and space to another. And at this point of time I seem to open a third-person perspective in my creation.

名可名系列之No.603局部细节

Partial details of the Nameless Series-NO.603

摄于名可名系列No.603作品创作中

The photo was taken during the creation of Nameless series No.603

「名可名」

“Nameless”

No.717

张骏—名可名系列No.717

尺寸:直径120cm

材料:综合材料

Zhangjun-Nameless series No.717

Size:120cm in diameter

Material:Comprehensive material

我出行绝大多数是自己开车到处跑来跑去,但即便开着导航,我也时常走错路。在不赶时间的时候,也会主动关掉导航,去瞎看瞎走吧。从始发地到目的地,沿途的风景对我而言更有意思一些,即便它们有时看起来并不是那么美。 I often driving around alone, but even when I drive with the navigation, I often take the wrong road. When i'm not in a hurry, I turn off the navigation and go wandering around. From the engine start to the arrival, the scenery along the way is a little more interesting to me, even if they don't look so beautiful at times.

名可名系列之No.717局部细节

Partial details of the Nameless Series-No.717

要不是因为时常走错路,我也不会发现很多不一样的沿途,或人或事或美景,这像极了我的创作状态。 If it weren't for the fact that I often take the wrong path, I wouldn't have found a lot of different people or things or beautiful scenery along the way, which is very similar to my state of my when i paint.

「名可名」

“Nameless”

No.730

张骏—名可名系列No.730

尺寸:直径120cm

材料:综合材料

Zhangjun-Nameless series No.730

Size:120cm in diameter

Material:Comprehensive material

名可名系列之No.730局部细节

Partial details of the Nameless Series-No.717

创作名可名系列就像列车,从始发地开向一个没有目的地的目的地,我也尽可能的记录每一个让我觉得值得的过程。

Creating "The Nameless Series" is like a train, from the beginning to a destination without a certain destination, and I try to record every process that makes me feel worthwhile.

艺术家张骏

Artist ZhangJun

免责声明:市场有风险,选择需谨慎!此文仅供参考,不作买卖依据。

责任编辑:kj005

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